Thursday, April 26, 2018

A Theory on Waterfalls


Why are we transfixed by waterfalls? Falling water provides no benefit beyond the modern inventions of the water-wheel and the hydroelectric dam. What is it then that draws our eye; transfixes our gaze? It is beauty, but why do we assign beauty even to things and moments that provide no basic survival need? We understand the beauty of the hemlocks and the rocks and the rippling water because we intrinsically understand that for something to be beautiful, it must have one who imbued it with beauty; with meaning. We subconsciously acknowledge a creator when we see the world for what it is: beautiful. In those moments of transcendence we assert rightly (if unknowingly) that to create such beauty, such a creator must be eminently more beautiful and creative. If life were merely based on the conditions of survival we would view it in the cold, calculating eye of the materialist. It would be like seeing in black and white. Even the materialist, though, cannot escape beauty. In an attempt to redirect this err, she ascribes it to substitute deities such as Mother Nature or Chance, but the beauty remains, and we cannot deny its pull on our hearts.

When I look at your heavens, the work of your fingers,
The moon and the stars, which you have set in place,
What is man that you are mindful of him,
And the son of man that you care for him?

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